Archive for Comics

Wheels Are In Motion

My partner and I have tried to do art stuff together. As anyone who read TRANSLUNAR (available for FREE here) knows, most apes have more innate artistic talent than I do. I’m still trying to draw, but I know I’ll never be great at it. So my partner makes these fabulous things in like, five seconds (view them here or on Twitter as @evilbob_mt). In the time it takes me to draw a crude interpretation of a poorly shaded sphere, Evil Bob makes around 14,328 really great ink over pencil sketches.

Lately, it’s been chibis, those little stylized things that punch you in the neck with their cuteness. We got to talking, and came up with an Idea. You can tell it’s important, because the “i” is capitalized. That lead to an evening of character design, scripting, and arguing about the relative shapes of goblin heads. Also, horny viking jokes, but that’s not that far out of the ordinary.

Evil Bob’s recap of the evening made me think that I should say something about it, because I have a sneaking suspicion that I’ll be far too busy scripting for a while to really maintain Fishy Intent. It took a lot not to immediately open up Google Docs and start going when I sat down. But I promised to keep you guys in the loop, so here we are.

When we know more, I’m sure you’ll be the first to know. Now excuse me, I have to counteract the cuteness of the chibi style with some good old-fashioned psychological horror and graphic violence.

Eureka!

I am the first person to admit that the Indigo Girls are not usually in my playlists. I don’t dislike them, but musically, they are not my favorite sound. In 1988, they released their self-titled début album. The song “Closer to Fine” peaked at number 26 on the modern rock chart. Sometime in the early nineties (I’m guessing about 1992), I heard the track. It stuck with me enough that I recognize the song when it comes on the radio, and I don’t automatically change stations when I hear it.

Trust me, I’m going somewhere with this.

I’ve tried to work on TANKERS for a while now. I spent time developing characters, writing a first issue, restructuring the first issue a few times and swearing. I keep hitting a wall. I gave up for a while and worked on another project until I realized I was having the same problem.

I had a lot of cool stories, but they weren’t really going anywhere.

This isn't working...

Abandoned fishing boat, Belderg Harbour (Oliver Dixon) / CC BY-SA 2.0

I’ve brooded about this for a few weeks. Today, the canned music at the restaurant I work at played “Closer to Fine.” The song is catchy, but the lyrics that have always resonated with me go like this:

Well darkness has a hunger that’s insatiable,
And lightness has a call that’s hard to hear

Suddenly, I knew where the story was going, how it was going to get there, and what I needed to do. I had a goddamn theme.

The point here, if there is one, is that inspiration comes from weird places, and every story needs a theme tying it together. Now please excuse me, I have to go write some things.

More Backup Ranty Goodness

Over at Newsarama, we have learned that as well as Batman, Detective Comics is also going to a 40 page, $3.99 format. The additional pages will be story content, according to John Rood, the Executive Vice President of DC for Sales, Marketing and Business Development.

So, Batman is for sure getting backups featuring tie ins to the main story. What is Detective getting?

The short answer is we’re not sure yet. Here are a few suggestions:

  • Give us characters we haven’t seen enough of! Look, everyone loves the Bat. But a lot of us love his supporting cast. We understand that it’s expensive to print runs of comics, but here is the perfect opportunity to give fans of the GCPD, or of the many other neat characters who live in Gotham a bit of something to look forward to.
  • Show the women some love! There are a ton of great female characters that DC has basically ignored in the relaunch: Renée Montoya, Cassandra Cain, Stephanie Brown, Josie MacDonald and Romy Chandler, just to name a few. Give them some decent screen time. You’ve promised us some Steph Brown and Cass Cain, but so far, we haven’t seen either of them. This is your chance to make it right, on the cheap.
  • Give the GCPD it’s due! Gotham Central was one of my favorite titles. Sure, now probably isn’t the time to relaunch the book, but using a backup in Detective Comics makes perfect sense. They are all detectives, after all.
  • Show me some Batgirls! Okay, I’ve already mentioned Cass Cain (aka Batgirl and the Black Bat), and Stephanie Brown (aka the Spoiler, Robin and Batgirl). Both of them are fan favorites, and they both have a history together. Why not show them doing their thing? Fans who don’t read Detective (like me) would buy issues with either of them. They would have a heart attack and buy several copies of any issue with both of them. Want to get even more fans screaming with delight? Do a Misfit run. She tried her hand as the new Batgirl in old continuity, why not bring her troubled, homeless self back?
  • Answer the Question! Look, I loved Renée as the Question, but that seems to be off the table now. So, bring back Vic Sage. He’s a detective, and I loved him in 52. Let a whole new generation appreciate the Question. Even better, use the backups to have Vic train Renée as the new Question. (On another note, if you do this, please put Renée on the Birds of Prey! Her appearance in Gail Simone’s run was inspired. More, please.)
  • Classic villains! Whatever happened to the Riddler? Or Killer Croc? Or Bane? Tell us in a backup!
  • Do some test marketing! Not sure if there is enough interest in a character? Give them a backup. Watch the sales rise and know that fans love Stephanie Brown, and Cass Cain, and Renée Montoya. Experiment. Take chances. People are buying Detective anyway, so take a few risks. They could pay off!

If any of these happened in the pages of Detective, I’d put it in my pull list in a heartbeat. So, listen up, DC. You have a chance to right some of the wrongs you’ve done in the past.

Batman and Backups

Over at The Source, DC’s official blog, they’re talking about backup stories. Starting in issue 8, the comic

will feature the first of a series of back-up stories exploring the dark history of the Court of Owls, the mysterious and malevolent secret society wreaking havoc upon Gotham City in the ongoing series.

The Source Blog, January 9 2012

 

SPOILERS AHEAD!

I love backup stories. The backups from the new Action Comics are wonderful. Steel has appeared, but the story of Jonathan and Martha Kent really shined, and made me hope that Action would keep doing little stories at the end of a larger comic. I’m happy to pay an extra dollar for these gems.

Now, back to Batman. The price goes up a dollar, and we get…more Court of Owls stuff. For those of you unfamiliar with the Scott Snyder run on Batman, the Court of Owls is a mysterious organization that has done bad stuff in Gotham since the town’s founding. They are responsible for the death of at least one of Bruce Wayne’s ancestors, and possibly more.

Why do we need a backup for this?

Look, I like the Court of Owls stuff. It’s nice to see Batman not completely controlling Gotham City. It’s nice to see him wrong. But to me, a backup story should avoid direct tie ins to the Main Event. A backup can work if it’s coming at the Main Event from another direction, but this sounds more like a history lesson.

If we need history, why not include it in the Main Event? At least some of the backup is told from the POV of Alfred’s father. Neat, but I’m paying an extra dollar? When that could be included in the Main Event as diary pages, flashbacks or any number of other bits?

Okay, I get that it’s cool. Snyder has a great history of doing backup stories. I would rather, though, get a feel for the story from other characters that I care about. Say, Detectives Harvey Bullock, Renée Montoya or Crispus Allen. Even Commissioner Gordon would work. Seeing them working the case from a different angle would be interesting, and allow Gotham to develop from a viewpoint we rarely get to see.

Gotham City is a character in most Bat titles. It needs another point of view to develop it. The Wayne family is important, but there are other people in Gotham. I’d like to know how they see the city and the stories that have shaped it so much.

People Making A Difference In Comics Part 1

These people are making a difference in comics, at least to me. They’re changing the way I look at comics, doing really spectacular work, and generally kicking ass and taking names. You may agree, you may not, but I don’t care. This is my list, after all. I love these people. I’ll spread some more love around another time, but these were the first to spring to mind.

In no particular order:

Megan Lavey-Heaton
Megan Lavey-HeatonMegs is part of the team behind Namesake, my favorite web comic. She and Isa (see below) are the reason I was thinking about this today.

I’m scripting a comic, but realistically speaking, the chances of breaking into comics right now is very, very wee. I’ve been toying with the idea of publishing it online, but I keep coming back to the fact that I can’t bring myself to do that until it is at least one tenth as awesome as Namesake. That’s much more awesome than it is right now.

I enjoy a lot of web comics, but Namesake made me realize that a comic on the web could be more than a replacement newspaper funny. There is a story, rather than a series of comedic events. There is character development. While reading the comic, I’ve laughed, I’ve cried and I’ve cringed in horror. If there was any justice in the world, Meg and Isa would be able to work on this full time and make as much money as they could want off of it. If there was justice, I’d be able to find issues of Namesake at my FLCS, as well as trades and figurines of Emma, Warrick and the Card Soldiers.

Instead, I read Namesake on the internet and look forward to the day when I can buy their first book.

Isabelle Melançon
Isabelle MelançonIsa is the genius behind the art of Namesake (and some of the story), so everything I said above applies here. But there is more!

Isa is one of the most talented artists out there. She captures the essence of every character in the story perfectly. She uses color better than just about anyone else out there. Often, when I see a black and white image with a splash of color on it, I just shrug and think to myself “Wow, that’s gimmicky.” I have never said that reading Namesake.

By turns joyous, pensive, creepy and outright terrifying, Isa reminds me that art can make a comic better. I’m a reader first, and look at the art second. Except when I’m reading Namesake. It is literally the only comic I’m reading where I could not tell you if I like the art or the writing more. Every other comic I’m reading right now the art comes second. Way to go, Isa!

Ed Brubaker
Ed BrubakerI am a sucker for crime stories. No one writes crime like Ed Brubaker. I recently had the opportunity to read his Criminal series, and it knocked my socks off. Okay, not literally, but it was close. If I hadn’t been wearing shoes at the time, my socks would have come right off.

Look, any writer that is willing to tell a story where the villain just fucking wins is rethinking how to do his job. He’s now writing Fatale, a book that I read yesterday. I need to read it again, because in horror noir things are never what they seem to be. Brubaker makes me hopeful that it’s still possible to tell the story you want to tell, rather than what editorial wants you to tell.

Jen Van Meter
Jen Van MeterI’ll be honest, I had never heard of Jen until my partner met her at GeekGirlCon. We only picked up one of her comics because we felt bad that she was so nice and we hadn’t read anything she had done.

Damn, am I glad that we did that. Avengers: Solo has somehow made the Avengers relevant again. It’s a five part mini-series, and I’m really, really sad that it’s going to be over soon. Jen’s Hawkeye is spot on. He isn’t played just for laughs (though laughs happen), he isn’t just dark and broody (though he has his moments) and he isn’t a complete fuck up. He’s a person, and that’s rare in superhero comics. Jen makes it work, and for that I’m grateful as hell.

Greg Rucka
Greg RuckaI fell in love with Greg Rucka reading Gotham Central (also Ed Brubaker, it must be admitted. Seriously, whoever thought to put them together is a genius.) Then I read Stumptown. Now I’m hooked. Want more? Greg is writing the Punisher.

I’ve never been a Punisher fan. I read the first Garth Ennis run years ago, and I was much younger then. It seemed cool at the time, but rereading it has been…unsatisfactory. It did not stand the test of time. Frank Castle talks too damn much.

Rucka, on the other hand, hardly bothers with Frank Castle dialogue. He treats the Punisher more like a force of nature, something that happens to people. He’s not a hero. We know that, but Rucka makes us feel that. The stars are people around Castle, the victims the Punisher is avenging, the cops who have to deal with the fallout. It is one of three Marvel books I’m reading.

Oh, and the sound of Detectives Clemons fiddling with the knife from issue #7 still haunts me.

Work Is Begun

I’ve only written a page, but writing has officially begun on TANKERS #1. Now I just need to finish it and find an artist.

The Week in DCnÜ – Week 5

The last week. It’s been and up and down month, with controversy, unexpected gems, bitter disappointments and some bad memories thrown in for good measure. I’ll be keeping a lot of titles, but a few are getting dropped. Enough talk, on to the week!

From my least favorite to most:

WARNING: SPOILERS FOLLOW

#6 – Superman
Superman distinguishes itself because it is the only DCnÜ book I couldn’t finish on the first read through. I actually had to take a break from reading any comics for an hour or two. I was afraid that the taint of this book would rub off on something else.

There are three separate sets of captions throughout the book. The blue ones belong to Supes, the pink (yes, pink) one for Lois Lane, and brown ones that just suck. You see, comics are a visual medium, and the brown captions describe what you see in the panel! It turns out they’re from a news story Clark wrote about the fight between Superman and some sort of fire monster.

Every Superman cliché is pulled out. Truth, Justice and the American Way is used. Faster than a speeding bullet. Leaping tall buildings. Look, we all know the clichés. Use them, but do it sparingly. George Pèrez feels like he’s trying to include every possible Superman catch phrase, and frankly, it’s distracting.

It is a welcome distraction from the story, however. We start out with a giant alien blowing a horn. What does it mean? It must be bad, the lettering looks scary! Unfortunately, all the scary letters in the world don’t mean much if they don’t give us a reason to have a reaction of any kind. We then move on to the Daily Planet building being demolished. See, it turns out that the Daily Planet was bought by a Fox-like media conglomerate, and now they get a new building! Clark is mad that the Planet seems to be going the route of the tabloid, but Lois is in charge of the new department, and she says it’ll be all right.

Lois Lane is a Pulitzer award winning investigative journalist. We discover that not only has Lois left print journalism, but she left it to be an…anchorwoman on TV. Now she’s running the Daily Planet. Look, I’ve met more than one Pulitzer winner, and the only reason any of them have left journalism is to teach or retire. I’m happy that Lois is a strong, independent and successful woman. I’m just not seeing the motivation to leave print journalism to be what amounts to a middle manager.

Then Supes fights a fire monster. Stuff blows up. Lois makes some tough calls, and everything works out. Honestly, I wasn’t paying much attention at that point.

Overall Rating: D- (and only because of Lois)
Next Month: No No No No No No Oh god it was bad No No No No No No

#5 – Green Lantern: New Guardians
I’ve never been a fan of the Green Lantern (any version, really), but this one promised to be a different enough story that I was willing to give it a shot. Kyle Rayner has to work with a bunch of different colored Lanterns to do…something. We’re not sure what, because this issue is all about the team getting together.

After a bit of back story, we discover variously colored Lanterns throughout the universe suddenly losing their rings. A few die because of it. The rings fly to Earth, where they all converge on Kyle. Then, representatives of the various colors show up, blaming Kyle for killing (or attempting to kill) the former bearers.

None of the colors really get along, and now they’re all in the same place, and pissed. Next month’s fight should be pretty good. Overall, I was happy with the story. There’s a plan, though I’m not sure what it is yet. The art is fine, and Kyle’s ring constructs are beautiful.

Overall Rating:B
Next Month: I’ll get it for at least another month.

#4 – The Fury of Firestorm
This book had a lot going for it. I’m an admitted Gail Simone fanboy, so I was willing to give it a shot knowing next to nothing about Firestorm. I still don’t know much, but I know enough that I’m interested in learning more.

Two things stood out in the book. First, the villains. No metahuman baddies for Gail, that would be too easy. Instead, we have a team of soldiers intent on tracking down something. The bad guys and girls are strangely likable. Honestly, I liked them better than the two kids who ended up being carriers of the Firestorm protocols. Sure, they’re killers, and torturers, but they at least are having a good time. They do what is necessary (in their view) to do the job, but they aren’t soulless monsters.

The second surprise of the book is that the two heroes have a discussion about race. See, one of them is black and a nerd, while the other is white and a gifted athlete. After their first meeting, both of them have things to think about. In fact, Ronnie later asks his mother why they don’t have any black friends. In a touching moment, she tells him that she doesn’t know, and that it just happened to work out that way.

Together, that’s enough to keep my interest. This book is aimed at teenagers, so there is an awful lot of teen angst going on here. For now, I can plow through it.

Overall Rating: B+
Next Month: I’ll keep it until the teen angst overwhelms me.

#3 – Teen Titans
Reading Superboy (which I didn’t review because I bought it on a recommendation well after I got my other books that week – it was great, by the way) prompted me to pick this one up. I have to say, for being a teen book, there is surprisingly little teen angst in this one. Instead, we get a great story, chock full of action and suspense.

It was so good that we gave a copy to a thirteen year old kid we know who just figured out that comics are cool.

Tim Drake is the worlds greatest detective. Don’t let Elongated Man or Batman tell you otherwise. Even though he’s not old enough to drink, he’s doing work that is vital. He’s figured out that an organization known as N.O.W.H.E.R.E. is targeting teenaged superkids. He’s putting a team together to stop them. He’s tracking those kids down, all without adult supervision.

I loved the interaction between Tim and Wonder Girl. She’s got a tough exterior, but some issues, you see. She’s fun to read, and has enough superpowers to make her close to world-class. What she lacks is tactics. Enter Tim, who learned his trade from the Bat. This is going to be a fun ride.

Also, Superboy is gonna mess their shit up, yo.

Overall Rating: A
Next Month: Oh, yeah.

#2 – Blackhawks
Remember the baddies from Firestorm? Because the Blackhawks are the good guy version of them. A team of U.N. badasses who handle thing no one else can, the Blackhawks are a fun ride. Compared to Men of War, Blackhawks is better in every way. There isn’t a lot of jargon thrown around. There isn’t a lot of exposition. There is action, and romance, and nanobots.

I confess, the only Blackhawk I knew before picking this up was Zinda Blake (aka Lady Blackhawk) from the old Birds of Prey. These Blackhawks aren’t time travelers, but they are on the cutting edge. The hanger is full of spectacular looking vehicles. The security checks for nanotech. The romance is illicit.

Possibly the best part, though, is the explanation of all the nicknames. Everyone has one, and they are all tied to some amusing story. Irish, for example, is from the Eastern Bloc. Canada is from Georgia.

The book goes balls to the wall the entire way through, and if they keep it up, I’m hooked.

Overall Rating: A+
Next Month: Oh yes.

#1 – Aquaman
Aquaman is a joke. Geoff Johns knows this. Rather than trying to fight it, he embraces it. People make fun of him. People make stupid assumptions about him. I’m surprised he didn’t murder anyone.

The fun of this book is that it’s so aware of itself, without being self-referential. We all know that Aquaman’s power to talk to fish is kind of useless. Geoff rolls with it, making it a part of him. He is a master storyteller – I didn’t notice the parts of the story where we learn about Aquaman’s history until the second read through. Geoff Johns manages to write it in, but in a way that doesn’t pull the reader out.

The real selling point for me, though, is the Trench.

Aquaman is fighting H.P. Lovecraft’s Deep Ones. I am so excited.

Overall Rating: A+
Next Month: Yes Yes Yes Yes Yes Yes Oh god it was good Yes Yes Yes Yes Yes Yes

The Week In DCnÜ – Week 4

Sorry for the late post, but this week has been a bit hectic! Part of the problem was ranking these. I loved every title I bought this week, so actually ranking them was next to impossible. I seriously considered ranking them all at #1, but after long deliberation, here’s how it goes.

From my least favorite to most:

WARNING: SPOILERS FOLLOW

#4 – Birds of Prey
A few things made me nervous about this one. I was a fan of Gail Simone’s run on the pre-relaunch BOP, so I was a little concerned that she wasn’t behind this title. In addition, I had heard an internet rumor a while back that the new Birds were going to be a more “Charlie’s Angels” team, with some dood running the show. To top it all off, I was terrified that there was going to be some crippled person as the new Oracle. Look, disabled folks are good for more than just being tech support (I’m looking at you, Proxy).

Fortunately, none of this (except no Gail) came to pass. We do get a Babs cameo, offering suggestions for Black Canary’s covert ops team. There is no dood in charge. It’s Dinah’s (Black Canary) show. She’s on the run for a murder she didn’t commit (a holdover from pre-relaunch BOP, if I’m not mistaken), but she still wants to help people. So far, she’s teamed up with Starling, but is considering Katana at Babs’ suggestion.

Starling shines. She’s a hell-raiser, she’s clearly got some back story that I’m not aware of. During the fight sequence at the church, she alludes to a lot of that. I have no idea what (if any) powers she has, but she doesn’t seem to need them. She relies mostly on sheer go-to spirit and a total lack of a self-preservation instinct. I like her.

The plot revolves around a reporter who’s been tipped off that there’s a team of villain ladies out there doing stuff. He investigates, but doesn’t really buy it. Meeting his informer at a church, all hell breaks loose (not literally). The Birds show up to find out who’s behind their newfound tail, some baddies show up to kill the reporter and the Birds, and there’s a fight in a church! It’s like watching a John Woo film, except with more kung fu.

The best part of the comic is that the Birds are rarely in costume. I don’t much care for the new Black Canary look, so it works that most of the issue is in street clothes. The other best part is that DC has kept BOP full of strong female leads. At this point, I would buy either a Black Canary or a Starling standalone book. Both characters are tough, but both still manage to be sexy without being hypersexual.

I was a bit disappointed that my partner’s theory didn’t seem to pan out. Back in Batwoman #1, we saw a picture of Renée Montoya on what appeared as a wall of officers who were killed or disabled in the line of duty. The theory went like this: If Renée was disabled, she could easily still be the Question. How awesome would it be if the Question was the new Oracle? Renée is smart, and a detective, and her disability could be something other than being in a wheelchair. OMG, I want that! Sadly, the Question hasn’t appeared yet.

Pick it up, if you haven’t.

Overall Rating: A
Next Month: Oh, yeah. I’ll be picking this up.

#3 – Supergirl
Supergirl is never a character I’ve cared about all that much. She’s neat and all, but Kryptonians don’t really do it for me. Power Girl has been an exception in the past, but she’s not in the DCnÜ yet. I picked this up on a whim.

It turns out my whims don’t always lead to waking up spooning a traffic cone. Supergirl was good. We get an outright origin story here, but mixed with action and confusion and plots and people being afraid of aliens. And guys in power armor! How can you not love that?

Kara crashes on Earth, and ends up somewhere in Russia. A team of guys in power armor show up to collect her. She isn’t quite sure what’s going on, and spends at least part of the book thinking this is some sort of terrible dream. Kara remembers Krypton, but Earth is new to her. Unlike Superman, she has no idea that she’s powerful here. She doesn’t know that her punches could easily kill someone. She doesn’t know that she’s invulnerable. It is awesome!

And then Superman shows up. I love what Grant Morrison is doing in Action Comics, but this is a later version of the Man of Steel. He shows up and starts telling Kara what to do. We end on that, but I hope she punches him.

Overall Rating: A
Next Month: I can haz moar, plz? K thnx bai.

#2 – Red Hood and the Outlaws
The internet hates this book. I enjoyed the hell out of it. I like Jason Todd, I like Starfire and shockingly, I like Roy Harper. I want to see these flawed people grow and become less flawed. I like stories where change happens, and this book promises change.

You’re entitled to your opinion, of course. Many people hate it. That’s fine. I’ll be reading it for a while. I do sincerely hope that Starfire poses less and does things more in future issues. If that doesn’t happen, I’ll be abandoning this one. If she becomes chaste, I’ll do the same thing. I’m afraid that all of the bad buzz around this book is going to kill whatever Lobdell had planned. But for right now, I’m loving it.

Overall Rating: A
Next Month: At least another issue, probably more.

#1 – Wonder Woman
This book was perfect. I loved the writing, I loved the story, I loved the art, I loved the fact that this is the only DCnÜ book I’ve read that doesn’t bother with exposition or backstory. There is no need.

I’d give you a plot synopsis, but then you might not read the book. And you should read this book. Wonder Woman has never been on my must have list before. Now she is. She’s strong, she’s interesting, she’s great.

If you haven’t read this yet, go get a copy. If you don’t want to buy it, I might lend it to you. We bought an extra copy for that reason.

Overall Rating: A+
Next Month: So long as Azzarello is writing this, I’m on board.

Why The Hate On Starfire?

This week was a tumultuous time for the DCnÜ. Several explicitly sexual comics came out. I’ve already talked about Catwoman (short version, it was bad), but people are quite up in arms over Red Hood and the Outlaws. Specifically, there is a lot of hate out there for the treatment of Starfire.

DC Women Kicking Ass was disappointed that she had been relegated to Jason and Roy’s fuck buddy, while Laura Hudson of Comics Alliance had quite a bit more to say. It’s a thoughtful analysis, and I have to say, in general, I agree with it.

It’s the specifics that bother me.

When I read a comic with aliens in it, I put on my sci-fi glasses. I want aliens to be more than just superficially different than humans. It’s part of the reason I’m almost never happy with alien/human hook-ups. Aliens should think differently than humans do.

You know what? Starfire does. Is she drawn in a hypersexualized way? Yes, and that is a problem. Does she have casual sex with people? Yes, explicitly (unless she and Roy decided to just cuddle). But throughout the comic, she is shown as thinking fundamentally differently than humans.

One of the big complaints I’ve seen about the new Starfire is her “amnesia”. She doesn’t remember the names of the Teen Titans she’s served with, or even the names of people she has had sex/relationships with.

Remember, though, that earlier in the issue we establish that humans are little more than sights and smells to her. So, asking her about someone’s name isn’t all that useful. Had Roy been smart enough to ask her if she remembered someone who smelled like metal and oil, she probably would have remembered Cyborg. Asking about the guy who smelled like bat guano? Robin. She obviously doesn’t process things the same way we do.

Now, on to complaints that Jason and Roy treat her like a sex object.

Starfire’s transformation into a promiscuous tabula rasa who can’t even remember the names of the men she sleeps with, and seeks out emotionless sex with both of the two male main characters while they essentially high five about it.

Read More of Laura Hudson’s analysis

I’m not sure how aggressively seeking out sex partners qualifies you as a blank slate, especially given her fairly bold statement that she is “free to do what I want when I want.” As a fanboy, I’m sure there are a lot men out there who would jump at the chance to have casual sex with Starfire, but I think also that she might take issue with them trying to fill that slate with their expectations.

Oh, and Jason and Roy giving each other high fives? That just didn’t happen. Jason spends a lot of time early in the comic bragging about having sex with her, Roy is just disappointed that she didn’t say hello. Jason is a bit of an ass. Roy makes sure that he’s not being the bad guy when Starfire propositions him.

In short, here’s my take on this comic. Starfire is an alien who doesn’t feel especially wanted here on Earth. She doesn’t remember names, and no one bothers to figure out a way to get around that. She has sex, without love. She’s drawn in a lot of ways for fan service.

I don’t have a problem with any of that.

I can see how this could be problematic from a feminist lens. The art is over the top, way overly sexual. That is a problem. I hope that it gets toned down. But the other critiques don’t sit well with me. Like I said, I read aliens from a sci-fi lens. Starfire’s actions are better than most of the aliens in the DCU from that perspective. She’s different, and thinks differently.

I hope that we see these differences expanded on. I hope that Scott Lobdell plays on them, as Roy and Jason figure out that she ain’t like Earth girls. I hope that she doesn’t become another alien who is just a human with a different skin tone. I hope that she keeps enjoying sex. I hope that people can begin to understand that sex without love does not mean sex without emotion.

Honestly, I hope Scott Lobdell reads Nate Cosby’s Tumblr, which I’ll quote here:

I lust. It is the Tamaran way.

Since coming to Earth I have been told that I “freak people out.” That I am “intense.” I do not intend to make humans uncomfortable…but there were dark times when my life was worse than any Hell you can fathom.

I lust for love, for passion, for living. I do not lust for war, but if war comes then I lust for victory. My people believe every moment of all days must be experienced to their absolute maximum potential.
I lust. And I don’t really give a damn if that freaks you out.

Call It What It Is…

UPDATE:When I wrote this originally, I forgot to mention a few things. I enjoy Catwoman as a character. She’s strong, willful and doesn’t take shit from anyone. She and Batman’s love story is one of the few in comics that doesn’t feel contrived. I object to how Winick tells it in this incarnation. /UPDATE

I’ve been with you so far, DC. The relaunch has done some good things, some things I don’t like, and some things I just don’t get. Today, well, it pissed me off.

This is a dirty, dirty book, and you’re going to enjoy it.

Judd Winick said that at San Diego a while back, when the relaunch was new and shiny. This caused a minor internet uproar when people rightfully pointed out that no title with a dude as the star was being billed as dirty or sexy.

So, here’s a brief synopsis followed by some analysis.

TRIGGER WARNING: EXPLOITATION, RAPE

SPOILERS FOLLOW

Catwoman’s house blows up, but she escapes while only wearing half her costume. Guillem March likes to draw bras. Seriously. They are everywhere. Mostly on Catwoman and the “sorority of prostitutes” (yes, I’m quoting the comic book) that are a big feature of the first issue. Catwoman’s bra appears on seven pages of the book, and gratuitous ass/crotch shots fill another four pages. When I say gratuitous, I’m not counting ones that are actually relevant to the story. So, half of the book is basically soft-core porn. Not that I’m against soft core porn, but it’s getting in the way here.

Anyway, back to the story. Selina needs money for a new house, so she meets her fence (a pleasantly plump woman, I must say. She had meat on her bones.) to discuss a job. Enter the Russian mob. She spies on them (witnessing the aforementioned sorority of prostitutes) and discovers that there is a painting she can steal and get money. Also, some mysterious figure from her past shows up. We get a flashback of Selina witnessing someone’s murder.

She tracks this guy to the bathroom, vamps it up to get close to him, then beats the shit out of the guy, almost as if she can’t control herself. Then escapes back to an abandoned penthouse. Where she rapes Batman.

You read that right.

Here is a transcript (emphasis mine). All dialogue is Catwoman:

Page 18
Panel 1: I don’t think he knows who I am. Although he is the master detective. So, maybe.

Panel 2: But I sure as hell don’t know who Batman is.

Panel 3: And I don’t need to know.

Page 19
Panel 1: This isn’t the first time.

Usually it’s because I want him. Tonight I think it’s because I need him.

Panel 2: Every time…he protests.

Then…gives in.

Panel 3:And he seems…angry.

Panel 4: But that doesn’t slow either of us down.

Still…it doesn’t take long…

Page 20
Panel 1: …and most of the costumes stay on.

Yes, Selina, he looks angry. He told you he didn’t want to have sex with you. But you did it anyway. That’s called rape.

The fun of this book is getting back to what Selina Kyle’s always been about.

This suggests to me that Mr. Winick thinks that Selina Kyle has always been a sexual predator. AND THAT THIS IS SOMEHOW FUN.

Some of you are now busy saying “Dude, guys can’t get raped by chicks.” You are wrong. It can and does happen. It’s happened to at least one person that I know. Some statistics, courtesy of National Center for Victims of Crime, an advocacy group:

  • About 3% of American men – a total of 2.78 million men – have experienced a rape at some point in their lifetime (Tjaden & Thoennes, 2006).
  • In 2003, one in every ten rape victims was male. While there are no reliable annual surveys of sexual assaults on children, the Justice Department has estimated that one of six victims are under age 12 (National Crime Victimization Study, 2003).
  • 71% of male victims were first raped before their 18th birthday; 16.6% were 18-24 years old, and 12.3% were 25 or older (Tjaden & Thoennes, 2006).
  • Males are the least likely to report a sexual assault, though it is estimated that they make up 10% of all victims (RAINN, 2006).
  • 22% of male inmates have been raped at least once during their incarceration; roughly 420,000 prisoners each year (Human Rights Watch, 2001).

Some of you are saying “Dude, he must have wanted it. Catwoman is hawt!” Except that “every time…he protests.” That’s just a fancy way of saying “Every time, he doesn’t want to.” No means no. It does not mean yes. Say it with me: NO. MEANS. NO.

Look, I have no vested interest in who Catwoman has sex with. She likes to have sex in costume, that’s fine. I object to her forcing others to have sex. I don’t care if it’s Batman or anyone else. No on deserves to have that happen to them. Rape is one of the most heinous crimes I can think of. It’s a crime of power – I have the power to do whatever I want to you.

Take a look at the few events I described in the issue. Her house blows up. She has nowhere to go. She sees someone who scares her and attacks him, putting herself at risk. She has no power. Then, Batman shows up. She has power over him. She uses it.

Some of you probably think I’m overreacting. I don’t think so. Let’s say that this scene played out with different characters. Let’s imagine for a second that it was Green Arrow and Black Canary.

Now imagine if it was Green Arrow who was explaining his actions.

Page 19
Panel 1: This isn’t the first time.

Usually it’s because I want her. Tonight I think it’s because I need her.

Panel 2: Every time…she protests.

Then…gives in.

Panel 3:And she seems…angry.

Panel 4: But that doesn’t slow either of us down.

Still…it doesn’t take long…

Read that again and tell me it isn’t at least date rape. Tell me it isn’t someone justifying their actions. If these events had happened between Ollie and Dinah, with Ollie initiating, this never would have made it past editorial. The writer might not even have a job anymore.

I don’t know if DC can fix this. I’m not sure if I trust them anymore. I hope that this is a tempest in a teapot, that Batman will clarify that he actually did want to fuck Catwoman’s brains out. (I actually hope he says “Man, Catwoman, I really wanted to fuck your brains out. That was awesome.”) I doubt it.

Rape is rape. I’m writing DC to let them know how I feel about this. Not because I’m a guy, but because I’m human. I’ll say it again, no one deserves to be raped.