Wheels Are In Motion

My partner and I have tried to do art stuff together. As anyone who read TRANSLUNAR (available for FREE here) knows, most apes have more innate artistic talent than I do. I’m still trying to draw, but I know I’ll never be great at it. So my partner makes these fabulous things in like, five seconds (view them here or on Twitter as @evilbob_mt). In the time it takes me to draw a crude interpretation of a poorly shaded sphere, Evil Bob makes around 14,328 really great ink over pencil sketches.

Lately, it’s been chibis, those little stylized things that punch you in the neck with their cuteness. We got to talking, and came up with an Idea. You can tell it’s important, because the “i” is capitalized. That lead to an evening of character design, scripting, and arguing about the relative shapes of goblin heads. Also, horny viking jokes, but that’s not that far out of the ordinary.

Evil Bob’s recap of the evening made me think that I should say something about it, because I have a sneaking suspicion that I’ll be far too busy scripting for a while to really maintain Fishy Intent. It took a lot not to immediately open up Google Docs and start going when I sat down. But I promised to keep you guys in the loop, so here we are.

When we know more, I’m sure you’ll be the first to know. Now excuse me, I have to counteract the cuteness of the chibi style with some good old-fashioned psychological horror and graphic violence.

Eureka!

I am the first person to admit that the Indigo Girls are not usually in my playlists. I don’t dislike them, but musically, they are not my favorite sound. In 1988, they released their self-titled début album. The song “Closer to Fine” peaked at number 26 on the modern rock chart. Sometime in the early nineties (I’m guessing about 1992), I heard the track. It stuck with me enough that I recognize the song when it comes on the radio, and I don’t automatically change stations when I hear it.

Trust me, I’m going somewhere with this.

I’ve tried to work on TANKERS for a while now. I spent time developing characters, writing a first issue, restructuring the first issue a few times and swearing. I keep hitting a wall. I gave up for a while and worked on another project until I realized I was having the same problem.

I had a lot of cool stories, but they weren’t really going anywhere.

This isn't working...

Abandoned fishing boat, Belderg Harbour (Oliver Dixon) / CC BY-SA 2.0

I’ve brooded about this for a few weeks. Today, the canned music at the restaurant I work at played “Closer to Fine.” The song is catchy, but the lyrics that have always resonated with me go like this:

Well darkness has a hunger that’s insatiable,
And lightness has a call that’s hard to hear

Suddenly, I knew where the story was going, how it was going to get there, and what I needed to do. I had a goddamn theme.

The point here, if there is one, is that inspiration comes from weird places, and every story needs a theme tying it together. Now please excuse me, I have to go write some things.

More Backup Ranty Goodness

Over at Newsarama, we have learned that as well as Batman, Detective Comics is also going to a 40 page, $3.99 format. The additional pages will be story content, according to John Rood, the Executive Vice President of DC for Sales, Marketing and Business Development.

So, Batman is for sure getting backups featuring tie ins to the main story. What is Detective getting?

The short answer is we’re not sure yet. Here are a few suggestions:

  • Give us characters we haven’t seen enough of! Look, everyone loves the Bat. But a lot of us love his supporting cast. We understand that it’s expensive to print runs of comics, but here is the perfect opportunity to give fans of the GCPD, or of the many other neat characters who live in Gotham a bit of something to look forward to.
  • Show the women some love! There are a ton of great female characters that DC has basically ignored in the relaunch: Renée Montoya, Cassandra Cain, Stephanie Brown, Josie MacDonald and Romy Chandler, just to name a few. Give them some decent screen time. You’ve promised us some Steph Brown and Cass Cain, but so far, we haven’t seen either of them. This is your chance to make it right, on the cheap.
  • Give the GCPD it’s due! Gotham Central was one of my favorite titles. Sure, now probably isn’t the time to relaunch the book, but using a backup in Detective Comics makes perfect sense. They are all detectives, after all.
  • Show me some Batgirls! Okay, I’ve already mentioned Cass Cain (aka Batgirl and the Black Bat), and Stephanie Brown (aka the Spoiler, Robin and Batgirl). Both of them are fan favorites, and they both have a history together. Why not show them doing their thing? Fans who don’t read Detective (like me) would buy issues with either of them. They would have a heart attack and buy several copies of any issue with both of them. Want to get even more fans screaming with delight? Do a Misfit run. She tried her hand as the new Batgirl in old continuity, why not bring her troubled, homeless self back?
  • Answer the Question! Look, I loved Renée as the Question, but that seems to be off the table now. So, bring back Vic Sage. He’s a detective, and I loved him in 52. Let a whole new generation appreciate the Question. Even better, use the backups to have Vic train Renée as the new Question. (On another note, if you do this, please put Renée on the Birds of Prey! Her appearance in Gail Simone’s run was inspired. More, please.)
  • Classic villains! Whatever happened to the Riddler? Or Killer Croc? Or Bane? Tell us in a backup!
  • Do some test marketing! Not sure if there is enough interest in a character? Give them a backup. Watch the sales rise and know that fans love Stephanie Brown, and Cass Cain, and Renée Montoya. Experiment. Take chances. People are buying Detective anyway, so take a few risks. They could pay off!

If any of these happened in the pages of Detective, I’d put it in my pull list in a heartbeat. So, listen up, DC. You have a chance to right some of the wrongs you’ve done in the past.

Batman and Backups

Over at The Source, DC’s official blog, they’re talking about backup stories. Starting in issue 8, the comic

will feature the first of a series of back-up stories exploring the dark history of the Court of Owls, the mysterious and malevolent secret society wreaking havoc upon Gotham City in the ongoing series.

The Source Blog, January 9 2012

 

SPOILERS AHEAD!

I love backup stories. The backups from the new Action Comics are wonderful. Steel has appeared, but the story of Jonathan and Martha Kent really shined, and made me hope that Action would keep doing little stories at the end of a larger comic. I’m happy to pay an extra dollar for these gems.

Now, back to Batman. The price goes up a dollar, and we get…more Court of Owls stuff. For those of you unfamiliar with the Scott Snyder run on Batman, the Court of Owls is a mysterious organization that has done bad stuff in Gotham since the town’s founding. They are responsible for the death of at least one of Bruce Wayne’s ancestors, and possibly more.

Why do we need a backup for this?

Look, I like the Court of Owls stuff. It’s nice to see Batman not completely controlling Gotham City. It’s nice to see him wrong. But to me, a backup story should avoid direct tie ins to the Main Event. A backup can work if it’s coming at the Main Event from another direction, but this sounds more like a history lesson.

If we need history, why not include it in the Main Event? At least some of the backup is told from the POV of Alfred’s father. Neat, but I’m paying an extra dollar? When that could be included in the Main Event as diary pages, flashbacks or any number of other bits?

Okay, I get that it’s cool. Snyder has a great history of doing backup stories. I would rather, though, get a feel for the story from other characters that I care about. Say, Detectives Harvey Bullock, Renée Montoya or Crispus Allen. Even Commissioner Gordon would work. Seeing them working the case from a different angle would be interesting, and allow Gotham to develop from a viewpoint we rarely get to see.

Gotham City is a character in most Bat titles. It needs another point of view to develop it. The Wayne family is important, but there are other people in Gotham. I’d like to know how they see the city and the stories that have shaped it so much.

People Making A Difference In Comics Part 1

These people are making a difference in comics, at least to me. They’re changing the way I look at comics, doing really spectacular work, and generally kicking ass and taking names. You may agree, you may not, but I don’t care. This is my list, after all. I love these people. I’ll spread some more love around another time, but these were the first to spring to mind.

In no particular order:

Megan Lavey-Heaton
Megan Lavey-HeatonMegs is part of the team behind Namesake, my favorite web comic. She and Isa (see below) are the reason I was thinking about this today.

I’m scripting a comic, but realistically speaking, the chances of breaking into comics right now is very, very wee. I’ve been toying with the idea of publishing it online, but I keep coming back to the fact that I can’t bring myself to do that until it is at least one tenth as awesome as Namesake. That’s much more awesome than it is right now.

I enjoy a lot of web comics, but Namesake made me realize that a comic on the web could be more than a replacement newspaper funny. There is a story, rather than a series of comedic events. There is character development. While reading the comic, I’ve laughed, I’ve cried and I’ve cringed in horror. If there was any justice in the world, Meg and Isa would be able to work on this full time and make as much money as they could want off of it. If there was justice, I’d be able to find issues of Namesake at my FLCS, as well as trades and figurines of Emma, Warrick and the Card Soldiers.

Instead, I read Namesake on the internet and look forward to the day when I can buy their first book.

Isabelle Melançon
Isabelle MelançonIsa is the genius behind the art of Namesake (and some of the story), so everything I said above applies here. But there is more!

Isa is one of the most talented artists out there. She captures the essence of every character in the story perfectly. She uses color better than just about anyone else out there. Often, when I see a black and white image with a splash of color on it, I just shrug and think to myself “Wow, that’s gimmicky.” I have never said that reading Namesake.

By turns joyous, pensive, creepy and outright terrifying, Isa reminds me that art can make a comic better. I’m a reader first, and look at the art second. Except when I’m reading Namesake. It is literally the only comic I’m reading where I could not tell you if I like the art or the writing more. Every other comic I’m reading right now the art comes second. Way to go, Isa!

Ed Brubaker
Ed BrubakerI am a sucker for crime stories. No one writes crime like Ed Brubaker. I recently had the opportunity to read his Criminal series, and it knocked my socks off. Okay, not literally, but it was close. If I hadn’t been wearing shoes at the time, my socks would have come right off.

Look, any writer that is willing to tell a story where the villain just fucking wins is rethinking how to do his job. He’s now writing Fatale, a book that I read yesterday. I need to read it again, because in horror noir things are never what they seem to be. Brubaker makes me hopeful that it’s still possible to tell the story you want to tell, rather than what editorial wants you to tell.

Jen Van Meter
Jen Van MeterI’ll be honest, I had never heard of Jen until my partner met her at GeekGirlCon. We only picked up one of her comics because we felt bad that she was so nice and we hadn’t read anything she had done.

Damn, am I glad that we did that. Avengers: Solo has somehow made the Avengers relevant again. It’s a five part mini-series, and I’m really, really sad that it’s going to be over soon. Jen’s Hawkeye is spot on. He isn’t played just for laughs (though laughs happen), he isn’t just dark and broody (though he has his moments) and he isn’t a complete fuck up. He’s a person, and that’s rare in superhero comics. Jen makes it work, and for that I’m grateful as hell.

Greg Rucka
Greg RuckaI fell in love with Greg Rucka reading Gotham Central (also Ed Brubaker, it must be admitted. Seriously, whoever thought to put them together is a genius.) Then I read Stumptown. Now I’m hooked. Want more? Greg is writing the Punisher.

I’ve never been a Punisher fan. I read the first Garth Ennis run years ago, and I was much younger then. It seemed cool at the time, but rereading it has been…unsatisfactory. It did not stand the test of time. Frank Castle talks too damn much.

Rucka, on the other hand, hardly bothers with Frank Castle dialogue. He treats the Punisher more like a force of nature, something that happens to people. He’s not a hero. We know that, but Rucka makes us feel that. The stars are people around Castle, the victims the Punisher is avenging, the cops who have to deal with the fallout. It is one of three Marvel books I’m reading.

Oh, and the sound of Detectives Clemons fiddling with the knife from issue #7 still haunts me.

Work Is Begun

I’ve only written a page, but writing has officially begun on TANKERS #1. Now I just need to finish it and find an artist.

NaNoGraphicMo is nigh!

Last year, I wrote a 48 page graphic novel for NaNoGraphicMo. Participants wrote and created art for a European length GN, in the span of 30 days. It was frustrating, enlightening and maddening. I’m really proud to say that I did it, and I had a blast watching everyone else who was participating.

I learned a lot of valuable lessons last year. First and foremost, I am not an artist. I’m an okay writer, but drawing is not my thing. I manipulated photos for last years insanity, and that was enough to drive me crazy. It also means that I’m not quite satisfied with how Translunar turned out.

I want to do it again (and it starts tomorrow!), but I’m not sure that I can handle the art again. Instead, I’m giving myself a different challenge.

I’ve had two ideas floating around for stories (read about them here) lately. I’m going to spend the month of November writing five issues of one of them. That is 110 pages of comic scripted. In thirty days. At two pages of script per page of final comic, I’m looking at 220 pages of writing. That comes out to 7 1/3 pages of script per day.

And here I was, worried that this wouldn’t be as challenging.

The screaming starts tonight at midnight. If you’re on twitter, look for the hashtag #nanographicmo. Check out the Nanographicmo website. If I can do it, you can do it, probably better.

Torn…

Have you ever had two projects competing, sumo wrestler-like, in your brain? I have, and I’ve never been good at prioritizing. I’ve actually got three ideas now, but everyone knows that you never get to item number three on the old to-do list. The other two are rolling around like behemoths in my mind, trying to incapacitate the other, or at least knock it out of the ring.

Well, I live in America, and we say we’re a democracy, right? So, I’ll put it to a vote. I’ll even give you some information so you can base your vote on something other than flipping a coin. Of course, this is America, and we’re actually a Republic, so don’t think that your vote counts for much beyond public opinion polling. I’m in love with both of these stories, and this might be an exercise is figuring out which one I love just a tiny bit less.

Here are the bare bones of the two projects I’ve got going on now. You can make your opinion known in the sidebar at the right.

TANKERS

I did some teaser work for this a while ago, and it’s been developing more since then. The basic concept here is retro sci-fi. Imagine, if you will, a world where the Second World War turned out differently. The British, in their darkest hours, tried every crazy thing they could think of to turn the tide of the war. One of them worked.

Growing humans rapidly from a single sample helped the British win the war, but the ability to fill an empty mind with the knowledge of the greatest soldier of the day pushed them over the finish line. Training troops went from months to days, and growing troops went from years to weeks. With the glut of identical troopers, the British never needed any of the Allies. With little thought for the unintended consequences, the program is rushed into production.

After the defeat of the Nazi Reich, Great Britain found itself with an enormous standing army, and nothing to do with it. Rather than have hands become idle, the Empire continues to expand.

Told through the eyes of a squad of clones (also called tankers), the story will weave through the war years and the uneasy expansion of the Empire. The tankers deal with enemies inside and out of the Empire, and with their own government’s difficulties dealing with their existence. Along the way, we’ll learn how King George VI deals with his tankers need for women, how the French Resistance deals with clones, and how America reacts to the threatened Canadian border.

PALADIN

PALADIN is a direct result of me reading way too much Greg Rucka lately. This story was a throw away idea for much of the last year, until I realized that it was actually much more interesting if I rearranged the events a bit.

Virgil Caine was a Minneapolis cop, until he took the fall for a botched response to an Occupy Minneapolis protest. His career stalled, reputation tarnished and his future bleak, Virgil does the only thing he can think of: resign in disgust.

The story should have ended there, but a few years later things have gotten worse. MPD is talking about going on strike, the state government is talking about shutting down again, and the 99% are still getting shafted. Oh, and Virgil’s partner in the P.I. business just turned up dead, and his ex-partner is leading the investigation. When she’s told to back-burner the case, things start to go bad.

Through a backdrop of civil unrest, paranoia, backroom dealing and unexpected love, Virgil starts what he thinks is a quest for vengeance. Eventually, he comes to terms with a situation that has gone from worse to even worse. PALADIN tells the story of a lost man finding his (admittedly violent and illegal) way in a world that is giving up on itself.

Back From The Edge

So, after spending a few weeks packing all of our worldly goods and hauling them across county lines, I found myself in the local grocery store at 0100 looking for a single honeycrisp apple, because I really wanted one. I’d been suffering from stress related dementia and a sinus headache that just wouldn’t go away, and let me tell you something, honeycrisp apples make everything better.

Whilst wandering the ails of the local fooditorium, I found myself engrossed in an elaborate fantasy wherein I was Batman’s new sidekick, along with Damian as Robin. My sole purpose for the team up was to put two in the head of the Joker, because Batman clearly didn’t have the stones to save the lives of potentially thousands of Gothamites. Damian totally understood me, by the way.

Anyway, after putting rounds on target Batman got upset, and the freakin’ Secret Six (all eight of them from the later part of Simone’s recent run) showed up to watch my back. King Shark was a really nice shark, and Catman totally hit on me during the banter phase of the showdown.

I never really found out how it ended, because I had to drive to my new small-town Montana home. I like to think that I would have hooked up with Blake, but resisted the urge to join the Six. Instead, I ate half my apple and passed out for thirteen hours.

Needless to say, I’ve missed writing here. The move and resulting illness has knocked me down, but I’m getting back up. NaNoGraphicMo is coming up, and I’ve got solid outlines for two projects.

Expect more rambling soon.

The Week in DCnÜ – Week 5

The last week. It’s been and up and down month, with controversy, unexpected gems, bitter disappointments and some bad memories thrown in for good measure. I’ll be keeping a lot of titles, but a few are getting dropped. Enough talk, on to the week!

From my least favorite to most:

WARNING: SPOILERS FOLLOW

#6 – Superman
Superman distinguishes itself because it is the only DCnÜ book I couldn’t finish on the first read through. I actually had to take a break from reading any comics for an hour or two. I was afraid that the taint of this book would rub off on something else.

There are three separate sets of captions throughout the book. The blue ones belong to Supes, the pink (yes, pink) one for Lois Lane, and brown ones that just suck. You see, comics are a visual medium, and the brown captions describe what you see in the panel! It turns out they’re from a news story Clark wrote about the fight between Superman and some sort of fire monster.

Every Superman cliché is pulled out. Truth, Justice and the American Way is used. Faster than a speeding bullet. Leaping tall buildings. Look, we all know the clichés. Use them, but do it sparingly. George Pèrez feels like he’s trying to include every possible Superman catch phrase, and frankly, it’s distracting.

It is a welcome distraction from the story, however. We start out with a giant alien blowing a horn. What does it mean? It must be bad, the lettering looks scary! Unfortunately, all the scary letters in the world don’t mean much if they don’t give us a reason to have a reaction of any kind. We then move on to the Daily Planet building being demolished. See, it turns out that the Daily Planet was bought by a Fox-like media conglomerate, and now they get a new building! Clark is mad that the Planet seems to be going the route of the tabloid, but Lois is in charge of the new department, and she says it’ll be all right.

Lois Lane is a Pulitzer award winning investigative journalist. We discover that not only has Lois left print journalism, but she left it to be an…anchorwoman on TV. Now she’s running the Daily Planet. Look, I’ve met more than one Pulitzer winner, and the only reason any of them have left journalism is to teach or retire. I’m happy that Lois is a strong, independent and successful woman. I’m just not seeing the motivation to leave print journalism to be what amounts to a middle manager.

Then Supes fights a fire monster. Stuff blows up. Lois makes some tough calls, and everything works out. Honestly, I wasn’t paying much attention at that point.

Overall Rating: D- (and only because of Lois)
Next Month: No No No No No No Oh god it was bad No No No No No No

#5 – Green Lantern: New Guardians
I’ve never been a fan of the Green Lantern (any version, really), but this one promised to be a different enough story that I was willing to give it a shot. Kyle Rayner has to work with a bunch of different colored Lanterns to do…something. We’re not sure what, because this issue is all about the team getting together.

After a bit of back story, we discover variously colored Lanterns throughout the universe suddenly losing their rings. A few die because of it. The rings fly to Earth, where they all converge on Kyle. Then, representatives of the various colors show up, blaming Kyle for killing (or attempting to kill) the former bearers.

None of the colors really get along, and now they’re all in the same place, and pissed. Next month’s fight should be pretty good. Overall, I was happy with the story. There’s a plan, though I’m not sure what it is yet. The art is fine, and Kyle’s ring constructs are beautiful.

Overall Rating:B
Next Month: I’ll get it for at least another month.

#4 – The Fury of Firestorm
This book had a lot going for it. I’m an admitted Gail Simone fanboy, so I was willing to give it a shot knowing next to nothing about Firestorm. I still don’t know much, but I know enough that I’m interested in learning more.

Two things stood out in the book. First, the villains. No metahuman baddies for Gail, that would be too easy. Instead, we have a team of soldiers intent on tracking down something. The bad guys and girls are strangely likable. Honestly, I liked them better than the two kids who ended up being carriers of the Firestorm protocols. Sure, they’re killers, and torturers, but they at least are having a good time. They do what is necessary (in their view) to do the job, but they aren’t soulless monsters.

The second surprise of the book is that the two heroes have a discussion about race. See, one of them is black and a nerd, while the other is white and a gifted athlete. After their first meeting, both of them have things to think about. In fact, Ronnie later asks his mother why they don’t have any black friends. In a touching moment, she tells him that she doesn’t know, and that it just happened to work out that way.

Together, that’s enough to keep my interest. This book is aimed at teenagers, so there is an awful lot of teen angst going on here. For now, I can plow through it.

Overall Rating: B+
Next Month: I’ll keep it until the teen angst overwhelms me.

#3 – Teen Titans
Reading Superboy (which I didn’t review because I bought it on a recommendation well after I got my other books that week – it was great, by the way) prompted me to pick this one up. I have to say, for being a teen book, there is surprisingly little teen angst in this one. Instead, we get a great story, chock full of action and suspense.

It was so good that we gave a copy to a thirteen year old kid we know who just figured out that comics are cool.

Tim Drake is the worlds greatest detective. Don’t let Elongated Man or Batman tell you otherwise. Even though he’s not old enough to drink, he’s doing work that is vital. He’s figured out that an organization known as N.O.W.H.E.R.E. is targeting teenaged superkids. He’s putting a team together to stop them. He’s tracking those kids down, all without adult supervision.

I loved the interaction between Tim and Wonder Girl. She’s got a tough exterior, but some issues, you see. She’s fun to read, and has enough superpowers to make her close to world-class. What she lacks is tactics. Enter Tim, who learned his trade from the Bat. This is going to be a fun ride.

Also, Superboy is gonna mess their shit up, yo.

Overall Rating: A
Next Month: Oh, yeah.

#2 – Blackhawks
Remember the baddies from Firestorm? Because the Blackhawks are the good guy version of them. A team of U.N. badasses who handle thing no one else can, the Blackhawks are a fun ride. Compared to Men of War, Blackhawks is better in every way. There isn’t a lot of jargon thrown around. There isn’t a lot of exposition. There is action, and romance, and nanobots.

I confess, the only Blackhawk I knew before picking this up was Zinda Blake (aka Lady Blackhawk) from the old Birds of Prey. These Blackhawks aren’t time travelers, but they are on the cutting edge. The hanger is full of spectacular looking vehicles. The security checks for nanotech. The romance is illicit.

Possibly the best part, though, is the explanation of all the nicknames. Everyone has one, and they are all tied to some amusing story. Irish, for example, is from the Eastern Bloc. Canada is from Georgia.

The book goes balls to the wall the entire way through, and if they keep it up, I’m hooked.

Overall Rating: A+
Next Month: Oh yes.

#1 – Aquaman
Aquaman is a joke. Geoff Johns knows this. Rather than trying to fight it, he embraces it. People make fun of him. People make stupid assumptions about him. I’m surprised he didn’t murder anyone.

The fun of this book is that it’s so aware of itself, without being self-referential. We all know that Aquaman’s power to talk to fish is kind of useless. Geoff rolls with it, making it a part of him. He is a master storyteller – I didn’t notice the parts of the story where we learn about Aquaman’s history until the second read through. Geoff Johns manages to write it in, but in a way that doesn’t pull the reader out.

The real selling point for me, though, is the Trench.

Aquaman is fighting H.P. Lovecraft’s Deep Ones. I am so excited.

Overall Rating: A+
Next Month: Yes Yes Yes Yes Yes Yes Oh god it was good Yes Yes Yes Yes Yes Yes